How To Choose Different Value Options For Thumbnails
We’re often told to try different value options when creating thumbnails of a subject. But how do we do that? Gail spills the beans!
We’re often told to try different value options when creating thumbnails of a subject. But how do we do that? Gail spills the beans!
In Tasmania to teach a 10-day Art Retreat, I had a couple of days on my own. The view across the road had such a nostalgic feeling that I had to paint it. Here’s the progression of the pastel painting.
How do you go from thumbnail to underpainting? Gail gives examples of a thumbnail with a corresponding underpainting along with the final pastel.
Gail shares why she can’t live without these tiny companions even when racing the clock on location.
Painting the big shapes first establishes the composition and value pattern. Big shapes give your work an underlying strength. Let’s look at five examples!
Dive into the fun of seeing my self-portrait come to life with unconventional colours. Restriction can be so beneficial!
Uncover the magic and mysteries of colour temperature. Let’s look at why it’s so important to understand this aspect of colour!
Let’s delve into the creative potential and transformative possibilities that come from working in a series!!
Adding figures to your landscape can be fraught with problems! Here are six with tips on how to deal with them!
A painting of mother and son in front of a Miró painting from Gail’s gallery goer series. Gail takes you through its creation step by step.
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