Comments on: Lyn Diefenbach – Revealing The Complexity Of The Natural World https://www.howtopastel.com/2017/10/lyn-diefenbach/ Info, opinion, and training on how to pastel with artist Gail Sibley BFA, MA Sat, 21 Oct 2017 03:42:38 +0000 hourly 1 https://wordpress.org/?v=6.5.4 By: Gail Sibley https://www.howtopastel.com/2017/10/lyn-diefenbach/#comment-3698 Sat, 21 Oct 2017 03:42:38 +0000 http://www.howtopastel.com/?p=7817#comment-3698 In reply to Leticia.

You are soooo very welcome Leticia! My pleasure for sure.

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By: Gail Sibley https://www.howtopastel.com/2017/10/lyn-diefenbach/#comment-3697 Sat, 21 Oct 2017 03:41:59 +0000 http://www.howtopastel.com/?p=7817#comment-3697 In reply to Janette Meetze.

Janette I am delighted to have introduced you to this fine and oh-so-lovely artist!! Glad Lyn’s words and work struck a chord with you.

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By: Leticia https://www.howtopastel.com/2017/10/lyn-diefenbach/#comment-3696 Sat, 21 Oct 2017 03:37:29 +0000 http://www.howtopastel.com/?p=7817#comment-3696 In reply to Nancy Malard.

Woooow! How beautiful! Such a wonderful artist! Thanks Gail for sharing her paintings with us!!!

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By: Janette Meetze https://www.howtopastel.com/2017/10/lyn-diefenbach/#comment-3693 Fri, 20 Oct 2017 00:05:26 +0000 http://www.howtopastel.com/?p=7817#comment-3693 Lyn’s work is stunning and her advice speaks directly to me at this point in my journey with Pastels. Thank you Lyn and thank you Gail for introducing me to an amazing artist.

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By: Lyn Diefenbach https://www.howtopastel.com/2017/10/lyn-diefenbach/#comment-3692 Thu, 19 Oct 2017 09:54:00 +0000 http://www.howtopastel.com/?p=7817#comment-3692 In reply to Barbara Huber.

Hi Barbara. So glad that you to hear your enthusiasm for Pastel. I don’t use fixative at all for a number of reasons . 1. It darkens and dulls the work 2. It can still be smudged 3. It doesn’t stop the pastel dust from falling off, it just falls off in bigger bits. Pressing the pastel into the surface with a cover sheet of glassine and a stack of books (or something similar) achieves what the fixative is supposed to do without the negative results. I’ve even been known to put mine through a press, again with the protective sheet of glassine. I do know however (from my time spent with Daniel Greene) that sometimes an artist might use fixative to deliberately darken a passage of work and then tweak the brights and lights. Also, if the tooth of the paper is filled or damaged then the use of fixative can give a new surface to work on although this is limited.
A sharp Exacto blade is good for sharpening pastel pencils and sandpaper to get a fine point. Some of the pencils just want to keep on breaking which probably means that they have been dropped somewhere along the way.
Hope that this all helps. Happy painting.

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By: Lyn Diefenbach https://www.howtopastel.com/2017/10/lyn-diefenbach/#comment-3691 Thu, 19 Oct 2017 09:18:12 +0000 http://www.howtopastel.com/?p=7817#comment-3691 In reply to Diane.

Hi Diane. I’m sadly almost to the end of my stash of Wallis paper but I have discovered Fisher 400 which to my mind is as close as I’ve experienced thus far. It was unavailable for a little while but I think that it is back in circulation now.

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By: Gail Sibley https://www.howtopastel.com/2017/10/lyn-diefenbach/#comment-3684 Thu, 19 Oct 2017 02:03:00 +0000 http://www.howtopastel.com/?p=7817#comment-3684 In reply to Barbara Huber.

Thanks for popping in Barbara and for your exuberance! Lyn answered the pastel pencil question above and I will let her answer your question around using fixative.
I hope someone has an answer for you around sharpening pastel pencils as I rarely use them. I have found in the past that sharpening them with a knife has worked.

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By: Gail Sibley https://www.howtopastel.com/2017/10/lyn-diefenbach/#comment-3683 Thu, 19 Oct 2017 01:57:48 +0000 http://www.howtopastel.com/?p=7817#comment-3683 In reply to Diane.

Glad you enjoyed Lyn’s work. Well you can see the supports Lyn uses. I think many of us have struggled to find good replacements for Wallis paper. I am really enjoying Pastel Premier paper though, like you, I have run into a few inconsistency problems. I think they may have the technique resolved though. I do like the different grades of UART. I also like Sennelier LaCarte (just don’t get water anywhere near it!). I haven’t had too much experience with Art Spectrum but did find when I used it that it ‘ate’ the pastel. Perhaps others will chime in here.

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By: Gail Sibley https://www.howtopastel.com/2017/10/lyn-diefenbach/#comment-3681 Thu, 19 Oct 2017 01:44:59 +0000 http://www.howtopastel.com/?p=7817#comment-3681 In reply to Ruth Burley.

You got that right Ruth! Regarding the use of pencils, going by her answer above, sounds like Lyn uses the sharp edges of pastels for the detail.

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By: Gail Sibley https://www.howtopastel.com/2017/10/lyn-diefenbach/#comment-3680 Thu, 19 Oct 2017 01:43:28 +0000 http://www.howtopastel.com/?p=7817#comment-3680 In reply to Wendy Prest.

Thanks Wendy! I was sooooo delighted that Lyn agreed to guest blog!!

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