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The Making Of “Black Hats” – From Concept To IAPS Exhibition

The 42nd IAPS Open Division Online Exhibition is now open for viewing. And I’m happy to say that my painting, Black Hats, was accepted into the show. Oh what a feeling!!! I’m even more delighted to share that this acceptance gives me the fifth point necessary to add IAPS/MC after my name. Whoo hoo! So

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Gail Sibley, "Gazing at Gertrud," Unison Colour pastels on UART 400 paper, 11 1/4 x 8 1/4 in. Detail

My Painting Is Finished! Or Is It?

Another painting in my Gallery Goers series is done! It’s such a great feeling when you think a painting is finished. But then I came back a few days later. Something wasn’t quite right. I hadn’t noticed it while working on the piece – too close to it physically, mentally, and emotionally. I needed some

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Rearrange elements in a photo: Gail Sibley, "Black and White Opposites," Unison Colour pastels on UART paper., 12 x 8 in. Cropped

Rearrange Elements In A Photo For A Better Painting

So often when we work from photographs we are seduced by what’s there. We follow it with complete devotion and without deviation. In the end, all we have is a copy of the photo. Our painting doesn’t actually say much about us or why we chose to paint the picture. This is one of the

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Seeing Colour In Greys – “Sipping Patrón”

If you know me, you know I LOVE colour! I love painting with bright colours and then, when needed, layering pastels to create greys. This de-intensifies the saturated colours. Seeing colours in greys can sometimes be tricky. It all just looks grey! With time, deep looking, and the tips below, you’ll see the colour that’s

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The imperfection in plein air painting Gail Sibley, "Brown's Island," Unison Colour on UART 400, 9 x 12 in. Available

Embracing The Imperfection In Plein Air Painting

I’m recently home from a wonderful and relaxing getaway to Ontario (yay to a bit of travel!!) where Cam and I spent time with family and friends. Part of our trip was a week at the White family cottage on Big Rideau Lake where I planned to do some pastelling en plein air. I hadn’t

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Value Dominance! How it Can Make (or Break) Your Painting

Recently in my IGNITE! art-making membership, I asked members: What’s your favourite lesson so far? Happily, many of them said they found it difficult to make a decision (“A difficult question- each lesson has been so valuable”) but one of the lessons that emerged as a group favourite was the one on value dominance. And

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Pushing colour: Gail Sibley, "Showing Off," Unison Colour pastels on UART 400, 5 x 7 in

Pushing Colour-How To Make Your Bland Photo Into A Bold Painting

Recently in my IGNITE! art-making membership, a member asked about how to make an interesting painting from a boring photo. This isn’t an uncommon question. I’ve also been asked: “How do I the greyness that I see in my photo more colourful in my painting?” Or how about this: “I was so taken with the

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